Due to the limit set by the air companies for luggage size, it was obvious that we would not be allowed to carry the larger zambombas you can see in some of our photos. So, Valentín offered to construct some not-so-large ones to carry to New Mexico.
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| As usual, his garage serves as workshop to make the zambombas. |
We have been documenting the process to share it here with those who may want to try and do it themselves in New Mexico. Once we are there, Valentín will respond questions and provide tips to whoever requests his help and experience.
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| The main structure is that of a barrel. |
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| The wood strips need to be very carefully arranged. |
As shown in the pictures, we need a wooden barrel, hollow on both sides. One of the sides will be covered with a goat's skin, previously moistened, shaved ands very thoroughly cleaned.
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| Choosing the proper skin is crucial for a good result. |
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| Stapling the band that holds the skin to the barrel. |
Once the skin is soft and ready, a carved stick is tied to its center, which will later hold the longer olive branch which makes the vibration. It is very important to properly hold the stick to the skin, so the skin will withstand the stress and stretch when it dries.
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| An old zambomba serves as model for the new one. |
The process takes several days, so it will not be possibe to do the whole thing at any of the venues hosting our recital. Nevertheless, if the barrel and the skin can be previously arranged by a local team, we would certainly love to help with the final process.
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| Javier and Valentín proudly show the resulting zambombas. |
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